Perhaps it’s the 1960s Jansen Louis XVI–style lyre-back chairs admiring their own comely reflections in the louche-glam 1970s mirrored dining table. Or the rare 1985 Philippe Starck chair—a welcome reminder of the designer’s early, mad genius—poised nonchalantly beneath an unimpeachable Noguchi paper lantern in the primary bedroom. Or maybe it’s the antique Louis XV fauteuil upholstered ever so daintily in the same Sister Parish linen that covers the walls and daybed of the sitting room. Connoisseurs of great design will have a difficult time selecting a favorite vignette among the plethora of sensational moments at the Los Angeles home of AD100 designer Oliver M. Furth and brand strategist Sean Yashar. Within a classic 1950s California canyon house perched in the hills above Hollywood, the inveterate collectors have marshaled an astonishing array of objects and materials in ensembles that highlight shared aesthetic genealogies while forging connections among disparate times, places, and styles. In short, there’s an embarrassment of riches.



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